05/14/2010 by Emily Yeadon | in Reviews
1 comment
Wrath and Rapture Wrath and Rapture
Metal | Tragic Hero Records
MEB Rating:
4.0
User Rating:
10
4 Ratings
With a name like Wrath and Rapture, you need to be seriously epic. I am glad to say that upon reviewing their self-titled 10 track EP, I can confirm that they are indeed epic in large proportions.
I loved “Disembodiment”, possibly my favorite track off of the EP, due to its constantly changing sound, its heavy as hell breakdown, and the random, unexpected, “DEAR LORD MAN, WHAT IS THAT DOING HERE?” jazz solo in the middle. This jazz piece is perfectly executed. The guitarists work to change their sound so that they aren’t simply attempting to insert jazz influence into the metal itself. The band utilizes breakdowns so much that it can be distracting at times. Individually, each breakdown is heavy and strong, but when packed altogether into a single song, it takes away from the quality of the song.
My second favorite track, “Breath Taking Tragedy”, includes four breakdowns. And well, if you are hungry for a big heaping of deathcore then you should be satisfied. However, that being said, the instrumentals fit perfectly with the vocals, creating a really tight feel ad sound. The guitar techniques used are incredible. The 80′s inspired solo is very Van Halen-esuq with a bit of intricate technique sprinkled in. Goes into synth metal lines. There are dive bombs galore in this track and a great use of varying gallops within the time signature. The vocals (screams) vary between low, high, and a combination of the two at once. Then cometh strumming on lower frets, into a sweeping solo high up on the neck with nice use of bends and taps. Breakdown. Breakdown. Breakdown that goes into a breakdown. Hi, my name is excessive double bass and I’m raping your ear drums!
Another favorite was “The Dirge of Fallen Warriors”. Intricate synth lines add indefinite musicianship. The guitar and drums are tight. The screams come in over a sped up tempo, guitar line intricate, yet not overwhelming. The harmonization is near perfect. The breakdown is absolute gut-wrenching beauty. The China cymbals sound great over the muted guitar chords. Kudos to Sheldon, he can really draw out his screams. I feel Dream Theater vibes a lot through the EP, and here the influence is strongest.
Despite being very very technical,the musicianship is tight, and the band is held together really well. I feel like I am on a space adventure throughout the entire album. All in all, the technical qualities put forth into the making of this album definitely rank up at a four out of five.











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