Mind Equals Blown

Mind Equals Blown

Anberlin - Promo Anberlin - Dark Is The Way Lights Is A Place

Anberlin Dark Is The Way, Light Is A Place


MEB Rating:

.0

User Rating:

8.5


12 Ratings

Here it is. The mature record we wanted in place of New Surrender.  A worthy evolution of Anberlin has finally surfaced in Dark Is The Way,  Light Is A Place. Gorgeous tones, beautiful melodies, and expertly-crafted tunes will make this a record to beat in 2010.

In typical Anberlin fashion, the doors are flung open with the opener, in this case “We Owe This To Ourselves.”  By far the track most reminiscent of their previous work, the track features the album’s catchiest riff to backbone Stephen Christian’s Martin Luther King-inspired lyrics.  Smart move on Universal’s part releasing this track first; it should reign in the fans who felt slighted by “The Feel Good Drag” opening Anberlin’s major label career.  Conjuring up the Never Take Friendship Personal-energy from 2005 made this the ideal intro to the new record.

After repeated listens to “Impossible,” I’ve been eating my words.  I called the single “boring.  Not half as good as ‘We Owe This To Ourselves.’ ”  With the album stream, I gave the song another chance.  Within the context of the record, I now understand the importance of “Impossible” getting the radio attention.  The track accurately details what will follow on the next nine songs, displaying an 80′s influence new to the Anberlin sound.  Christian has mastered subtlety, smoothly sliding his way into tracks when it’s appropriate and seductively enticing audiences into the next verse.  His highs have always been unmatched, but never has Stephen sounded so sensual.  Gone is the “Haight St.” days of remembering Church camp; this is adult Anberlin, and this is essentially perfect.

As spectacular as Stephen’s performance is, this album belongs to Joseph Milligan and Christian McAlhaney.  The guitar players favored songwriting over blazing riffs and it has paid off incredibly.  ”Take Me (As You Found Me)” has a “With or Without You” simplicity to the intro and verse.  Quick pick-work can still be found, just with the volume down to set off the dark, ominous tones like in “Closer” and “The Art Of War.”  I formerly believed that McAlhaney, formerly of Acceptance, could have been at least partially responsible for the diluted quality of New Surrender; after all, the old band hadn’t written a dud track in three albums, while the new guitarist’s album had more than a few fails.  With the stunning quality here though, I retract my accusations.  Thank you’s should be extended to producer Brendan O’Brien as well, who’s masterful hands have created another sensational production.

It’s interesting how the brooding  mood is created in Dark Is The Way, Light Is A Place. Anberlin slowed things down to channel the darkness, using a steady pace slightly slower than listeners are accustomed to.  Nathan Young continues to excel as a drummer here, and Milligan and McAlhaney need to be praised again for their writing chops.  Even “To The Wolves,” the album’s most fun song (and one of the few that uses electronics), fits snuggly into the tracklisting with its wave effect on the chorus riff.

Not one moment of the record should go unnoticed.  ”Down” will instantly be named older brother of “The Unwinding Cable Car” due to the acoustics and lack of percussion.  ”You Belong Here” begs to be in a major motion picture’s climactic scene, oozing with sweetness and genuine emotion.  Fans know better than to pass on Anberlin closers, and “Depraved” is no exception.  It may not be the seven-minute epic that’s been present on past albums, but the track slow builds into a tremendous chorus of overlapping vocals to epically end DITW,LIAP.

Forgive me for repeating an adjective, but “stunning” is the perfect summation.  Dark Is The Way, Light Is A Place is an essential rock record.  Easily the most important piece of music Anberlin has created, and possibly the most important listen we need this year.  Do away with whatever plagues your headphones, turn off the lights, and drift into an album of the year contender.

For a full album stream, visit MySpace.com/Anberlin.  The record will release nationwide September 7.

Author: Jack Appleby View Staff Page for Jack Appleby
That 6’5″ guy you curse about under your breath for standing in front of you at shows. Southern California resident (a fact my fellow MEBers tend to hate me for). Student at Hope International University, where I served two years as Editor-In-Chief of the Hope International Tribune. College basketball player (I’m losing cred by the word). Social networking connoisseur. Musically, I’m all across the board, but tend to hover around ____core and good catchy-rock. Always ready for seven hour Facebook debates on the music industry, your favorite band and anything else.
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  • disagree… completely…

    Reply
  • “The track accurately details what will follow on the next nine songs, displaying an 80′s influence new to the Anberlin sound.” Anberlin has always had an 80′s influence reflective in their sound. This is NOT new to Anberlin.

    Reply
  • Carl, I agree that there has been some 80′s influence in the past, but I feel it was mostly musically and in their synth/electronics. Stephen’s style wasn’t as reminiscent of that era until this album.

    Reply
  • Just got through the whole album, and I have to say, I think it was really good. Not quite as edgy as old Anberlin, so I can definitely see why some people will not be as appreciative of it (Robert) but I definitely will be playing it again right now, and looking forward to downloading it when it is released. A decided improvement on New Surrender for sure.

    Reply
  • I dont dislike it because it isnt like old anberlin… I dislike it because it is repetitive and empty. Every song sounds just like the one before it. Jack even talked about how the guitarist and drummer shine through? I literally dont think they were playing, 99% of the time the drummer was hitting a beat involving only the snare drum and bass because the music is too empty to have a real beat over it, and the guitarist is holding out some miscellaneous note with tons of effects and electronics making everything sound the same and boring…

    Reply
  • I think this album was nearly on the level of Cities in regards to quality, but I feel it could have been a little longer.

    I was somewhat disappointed by “Depraved” because I was hoping for another “Fin”-like epic, but, disappointment aside, the song – and the album – was fantastic.

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